Many Egyptian decorative motifs are stylized from natural forms associated with the life-giving Nile. The lotus bud and flower, the papyrus, and the palm appear constantly with borders of checkered patterns or coiled, ropelike spirals, giving an air of space and elegance. The palace of the pharaoh Akhenaton and other large houses at Tell el-Amarna (c. 1365 BC) reflect a tendency toward naturalism in their ornamentations. Akhenaton, his queen Nefertiti, and their daughters are frequently represented, usually grouped affectionately together. Other painted panels show animals and birds with twining borders of vegetation.
Molded, colored, glazed ware was introduced to give a brilliant inlay of grapes, poppies, cornflowers, and daisies, all in natural colors. The use of square ceramic tiles as a wall surfacing was uncommon but not unknown. Primary colors were the most common, a brilliant yellow being among the most frequently used, but terra-cotta, gray, black, and white were all added to give contrast. Even floors were delicately painted to represent gardens or pools. One of these at Tell el-Amarna shows a rectangular tank with swimming fish and waterfowl, bordered with lotus and papyrus marshland, with an outer band showing more birds and young cattle in the meadows beyond. Many people want to know about Interior Designer In Chandkheda. Furniture ranged from the simplest benches and ceramic pots to beautifully designed chairs, small tables, and beds in the homes of the rich.