Themes of decoration are many, and most come from Greek sources. They became part of the vocabulary of classical ornament that was employed during later classical revivals, such as the Renaissance and the Neoclassical movement of the 18th century. The acanthus leaf is by far the most common, and it was in almost continuous use from the 5th century BC in Greece to the 19th century in the West. The Greek and Byzantine acanthus leaf is inclined to be stiff and formal; the Roman and Renaissance form is much more natural.
The vine-leaf and grapes motif is also common, and the palmette occurs especially on painted vases. The ivy, laurel, olive, and honeysuckle (anthemion) are usually to be found as frieze ornament, sometimes in stylized form. Festoons, garlands, and swags of laurel were common decorative elements in relief sculpture. “Cable,” or “twisted rope,” a kind of plaited ornament, was often used for the same purpose. Rosettes—stylized simple roses with equally spaced petals—were widely used.
Originally an Assyrian design, they have continued in use to the present. Egg-like forms alternating with tongue- or dart-shaped ornaments originally were carved stone architectural ornament; they were taken over in later times as part of interior plasterwork. Many people want o know about Interior Designer In Chandkheda.