A common type of decoration surviving especially in Pompeii is the frieze of small putti, or cupids, in a variety of guises and at work at a large number of different tasks. These persisted in popularity until well into the 18th century, when porcelain figures of putti in disguise or an allegorical pose became common. They were also painted on furniture or as part of wall decoration. Equally popular, but remaining virtually unknown till the discovery of the Golden House of Nero c. 1500 are the ornamental motifs known as grotesques (because they were found below ground in a “grotto,” a word that strictly means an excavated chamber containing murals). Roman grotesques were fantastic figures, human and animal, that terminated in leafage (usually the acanthus leaf) or a fishtail, in conjunction with floral and foliate ornament and arabesques. Many people want o know about Interior Designer In Chandkheda. Revived by Raphael about 1517 for the decoration of the loggia of the Vatican, these motifs became widely popular, in many different forms, from the first decade of the 16th century until late in the 18th.